This day began like so many other days on the road, waking up on a tour bus to the view a hotel parking lot in the middle of nowhere. On this particularly warm spring day we were scheduled to play a multi-band extravaganza in Vienna Georgia, and after a couple of hours at the local Country Inn and suites, we set off to the concert site on other side of town. As we pulled down a long dirt road, the view of the “Pig Jig” festival grounds came into focus. An array of crudely built, weathered shacks and buildings that kind of reminded me of a movie set that fell somewhere between an imaginary western and a redneck Ewok village.
Upon our landing, I was greeted by Mack, the festival promoter, who directed some stage hands to unload our gear. I walked over to check out the stage, a large outdoor “shed” style structure in which Colt Ford and his band had just finished their soundcheck, and helped guide our gear into place. A couple hours later, after our soundcheck, I organized a hotel run for the band to get some showers and downtime. When we returned to the concert grounds around dinner time, there was already a good size crowd building, and some of our group retreated to the hospitality area for some “pig and fixin’s”.
The concert begins with a local acoustic duo, RDR, who slowly began to wake up the crowd, now sweltering in the hot Georgia sun. Sonny Ledfurd, a three piece band from North Carolina, was up next, and the crowd seemed to really get into the bands tunes about drinking whisky, smokin’ dope, and “partying in my driveway”. Tyler Farr (from Colt’s band) then played a brief acoustic set just prior to our show, and the crowd was now thoroughly primed for Rhett and band. With the darkness of night now upon us, the mood was just right, and we launched into our 60 minute show of rockin’ southern country. The crowd responded warmly to some of Rhetts’ earlier hits as well as some newer material like “My Baby Looks Good in Camouflage” and “Duck Blind”. We finished our set with Rhett’s anthem “Kiss My Country Ass”, tore down our gear, and move it to backstage to wait for stagehands.
Upon spotting one of the stagehands backstage I instructed him to round up a few more hands to help deliver the gear to the bus. When 2 more husky fellows arrived a few minutes later, the first load of gear was delivered to our bus, after which the “hands” seemed to vanish into thin air. After another 5 minutes or so I call the promoter and “re-request” the stagehands. A minute later, one of the hands returned ahead of his co-workers and proceeded to walk right past me and the gear to briefly vomit around the corner. Our drunken helper returned and exclaimed “O.K., what’s next?” The other hands returned, we finished the load-out, and then we were done for the night. A few minutes later Colt took the stage with his band to rock the 1000 or so in attendance. A little while later and we we’re driving off into the night to our next destination, “The Clubhouse at Rye Patch” in Ludowici, GA. We we’re all exhausted, but it was a fun day, and the show went well. In the end, fun was had by all at the Big Pig Jig.
I was one of the Security guy’s at both venues and they were both great shows, I don’t remember helping lode in and lode out at the big pig jig but i do remember doing it at the rye patch and getting a couple of females off stage. I worked for promoter Mack Rowland and Artist Lance Stinson. I got Rhetts autograph on a guitar. I sure miss doing that type of work.